
I’ll admit that I’m a little nervous about posting this one. Not because my summary of pop culture as it has unfolded in 2021 thus far promises to be shocking or even mildly controversial– I have zero fears that I’ll get cancelled over benignly declaring that Movies Are Good. No, my trepidation can be better traced back to what happened last year.
Less than 365 days ago, a much younger Ainsley– an Ainsley with considerably less trauma-induced wisdom but significantly better posture– attempted to write up the 2020 edition of this list. It wasn’t a terrible list. I stand by my exaltations when it comes to The Last Dance, and the fourth season of Insecure, and the albums released by Fiona Apple, Phoebe Bridgers, and Waxahatchee. Was it a blatant circumvention of the rules to include the 2019 film Little Women? Probably. Do I expect that many were baffled by my esteem for Sam Hunt’s Southside, an album that peaked at 5 on the Billboard 200 and barely made an impact with its true singles? It would be more baffling if they weren’t, to be honest. But overall, at the time I thought it was a valiant-enough, comprehensive-enough effort to account for what was great about a year that gave me very little to relish in.
Four days later, Taylor Swift released folklore.
Continue reading “The Ten Best Pop Culture Moments of 2021 (A Midterm Report Card) 10-6”