I Can’t Wait To See You Again: Eight Things From 2008 That Are Due For a Comeback

I Can’t Wait To See You Again: Eight Things From 2008 That Are Due For a Comeback

When it comes to nostalgia, there doesn’t seem to be a true consensus about what schedule it operates on exactly. The New Yorker has argued for a “40 year Golden Rule”, while Entertainment Weekly takes the more immediate view that the itch to look backwards sets in somewhere around the 12 or 15 year mark. The entire internet is proliferated with retrospectives celebrating pop cultural anniversaries of almost every numeration— even years with no rounded numbers. If a natural law of nostalgia exists, it seems we have not yet found it.

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The GOAT Farm Class of 2018

The GOAT Farm Class of 2018

The thing about inventing an imaginary honor society that doles out imaginary annual awards is that you can’t just in media res things and hope that the imaginary audience is following along. There’s got to be a preamble. A clarification of the rules. An explication of the acronyms. An attempt to impose some sense upon all of the nonsense.

So in case you haven’t read The GOAT Farm’s Inaugural Post/Ceremony— and also in case you did read it, two years ago, and somehow didn’t memorize its vagaries— The GOAT Farm is a pop culture hall of fame with a pastoral aesthetic. Inductees must patiently endure a five year waiting period between when they were first experienced and when they are GOAT-eligible, which is why all of today’s honorees are from 2018. The only judge is me.

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My 2023 Anticipation Guide

My 2023 Anticipation Guide

I’ve always conceived of January as the summit of a metaphorical ski hill— the place from which you can survey all that lies before you, the majesty and the moguls, before your momentum starts carrying you inexorably down, towards, and through it. You can’t know the details of what you’re about to encounter, but the broader shapes are clear enough to get excited about.

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2022 Anticipation Index

2022 Anticipation Index

January is traditionally the time for high hopes and grand plans and lofty ambitions. The time to be briefly convinced that all of the empty days unfurled before you hold nothing but promise, to most fully perceive the potential in this latest quirk of the Earth’s axial tilt. But the concept of anticipation hovers a little awkwardly around the edges of this particular New Year. It is, after all, somewhat complicated to feel true excitement for things that are question marks.

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Dear Santa: My 2021 Pop Culture Christmas Wish List

Dear Santa: My 2021 Pop Culture Christmas Wish List

I’ve always been split on the concept of composing a wish list for Christmas.

On the one hand there’s no arguing against the ruthless efficiency of the practice; the guarantee against Christmas morning hopes being dashed through the snow. For the gift-giver, having a list to adhere to eliminates all kinds of stressful second guessing and streamlines the shopping process— in that sense, writing out a list of presents one yearns to receive could almost be viewed as an act of Christmas charity.

But something about the exercise has always struck me as vaguely mercenary, something that too starkly reveals the commercialized and capitalist bones of what is supposed to be a warmhearted exchange of goodwill. Sure, your expectations are met, but there is something lost in having set expectations at all, in reducing your loved ones to the role of glorified Amazon delivery worker.

As a child, I negotiated this paradox by rarely asking my parents for anything specific— trusting instead that my strong personal branding would guide them in the right direction, namely towards books and Barbies— but always helpfully itemizing things for Santa, who, I reasoned, had the added burden of a billion or so extra children to keep track of. I did always add the incredibly Canadian caveat that I would be happy with whatever Santa chose to bring me if, for any reason, he was unable to fulfill my wishes, which I hope my mother appreciated while committing her recidivist acts of mail fraud.

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The Ten Best Pop Culture Moments of 2021 (A Midterm Report Card) 10-6

The Ten Best Pop Culture Moments of 2021 (A Midterm Report Card) 10-6

I’ll admit that I’m a little nervous about posting this one. Not because my summary of pop culture as it has unfolded in 2021 thus far promises to be shocking or even mildly controversial– I have zero fears that I’ll get cancelled over benignly declaring that Movies Are Good. No, my trepidation can be better traced back to what happened last year.

Less than 365 days ago, a much younger Ainsley– an Ainsley with considerably less trauma-induced wisdom but significantly better posture– attempted to write up the 2020 edition of this list. It wasn’t a terrible list. I stand by my exaltations when it comes to The Last Dance, and the fourth season of Insecure, and the albums released by Fiona Apple, Phoebe Bridgers, and Waxahatchee. Was it a blatant circumvention of the rules to include the 2019 film Little Women? Probably. Do I expect that many were baffled by my esteem for Sam Hunt’s Southside, an album that peaked at 5 on the Billboard 200 and barely made an impact with its true singles? It would be more baffling if they weren’t, to be honest. But overall, at the time I thought it was a valiant-enough, comprehensive-enough effort to account for what was great about a year that gave me very little to relish in.

Four days later, Taylor Swift released folklore.

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What Do We Even Want From The Oscars?

What Do We Even Want From The Oscars?

You’d be forgiven for not noticing, but the 93rd Academy Awards ceremony took place a little more than a week ago. It was an event intended to honor a handful of beautiful films and moving performances; an event that had plenty of obstacles working against it; and an event that ultimately fell day-old-champagne kinds of flat. I’ve spent too much of my time this past week wondering why, and my thoughts on the subject will most likely come across as a bit unwieldy. Somewhat circuitous. Contradictory, disjointed, incoherent, even. And I would apologize for all of that, if it wasn’t such a fitting tribute to the 2021 Oscars themselves.

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March 2021 Review

March 2021 Review

If you are looking for a way to make time feel like it is passing exponentially faster, try committing to the idea that you will write recaps of what you did each month. Somehow all 28 days of February passed without me ever stopping to take stock of my consumption habits, and before I had reconciled myself to that, suddenly March was over as well. I’ll blame it on the homogeneity of pandemic life, where one day tends to blur into the next without the structure of our old way of life to differentiate between them.

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January 2021 Review

January 2021 Review

If you’ve ever read my newsletter the evening coat you’re already aware that I derive an inordinate amount of satisfaction from the act of distinguishing the months from each other as they pass, of celebrating their seasonal virtues and idiosyncrasies, and feeling grateful for how all of it put together gives life the kind of texture and meaning it might otherwise lack.

Maybe it’s the writer part of me, but I find it helpful to think of the year as a twelve chaptered book in which each one does its part to advance the plot. Obviously the author of this book tends to be wildly experimental in style, with a penchant for circuitous narratives and unresolved subplots, leaving plenty of room for digressions and asides, but David Foster Wallace did a lot of these same things and is heralded a genius for them, so it must still be a method of storytelling that is worthwhile. To try and make sense of my personal edition of 2021, I’ve decided to compile my own version of a Cole’s Notes for each chapter, which I will now present to you here.

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25 Years of Pixar Tears: Ranking The Saddest Moments (5-1)

25 Years of Pixar Tears: Ranking The Saddest Moments (5-1)

{This list is a continuation. You can read part one here.}

It was partway through organizing this top five that it first dawned on me, what an absolutely insane task I had assigned myself. Who volunteers to endure this much consecutive emotional turmoil? And then decides the next step is to take all of that pain and analyze it, attempt to pinpoint exactly which pain levers had been pulled and how hard and why? Me, apparently, and you, thankfully, if you’re reading this. It took me longer than expected to gather myself up between making my sad, sad points. It took me more boxes of Kleenex than I expected as well. I can only nervously hope that reading it is a more pleasant experience. Godspeed

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